Susan Sarandon says Hollywood agencies still block her from film roles
After being dropped by UTA in 2023, the Oscar winner alleges industry gatekeepers are warning producers against hiring her, prompting a shift toward independent European cinema.
Susan Sarandon stood before a press conference at the Venice Film Festival on Sunday, to a spontaneous 20-second burst of applause. But the acclaim in Italy contrasts sharply with her description of her standing in the United States, where the Oscar winner claims a rigid "power structure" of Hollywood agencies is actively preventing her from securing major studio roles.
Sarandon asserts that while the general public's understanding of the Israel-Palestine conflict has shifted, industry gatekeepers remain punitive. She claims that agencies are explicitly warning producers and directors against hiring her, making it impossible
to work with major U.S. Studios. The consequence is a professional pivot: Sarandon has shifted her focus toward theater and independent European cinema, seeking representation in Italy and England to maintain her livelihood.
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The 'Power Structure' and Agency Warnings
During the press conference for The Echo Chamber, a film directed by Andrea Pallaoro, Sarandon detailed the mechanisms of her professional exclusion. She told Metro and other outlets that she continues to lose big roles because of her public support for Palestine.
According to Sarandon, this is not merely a matter of public opinion but of systemic interference. She specifically credited Pallaoro for casting her in his latest project, noting that the director didn’t listen to the warnings
given by industry agents. She suggested that this pattern of exclusion extends beyond her, stating that other individuals have also been told that working with them is impossible
within the major studio system.
Sarandon believes the narrative in the U.S. Has changed regarding the historical relevance of Palestine and the financial ties between the United States and Zionists. She pointed to the U.S. House of Representatives' approval of the National Defense Authorization Act (NDAA) on July 22 as a catalyst for public awareness. Sarandon specifically interpreted Section 219 of the NDAA—which expands defense technology cooperation—as having voted to combine the army of the United States with the army of Israel
.
Timeline of the UTA Fallout
The professional fracture began in 2023 when Sarandon was dropped by her agent, United Talent Agency (UTA). The dismissal followed her attendance at several pro-Palestinian rallies, including one on November 17, 2023, in New York, where she called for a ceasefire in Gaza.
The catalyst for the firing was an inflammatory comment Sarandon made during these events. She remarked that many people were afraid of being Jewish at this time and are getting a taste of what it feels like to be a Muslim in this country
.
In December 2023, Sarandon issued a statement expressing "deep regrets" for the phrasing, which she called a terrible mistake
. She clarified that the comment incorrectly implied that Jewish people had been strangers to persecution
until recently, when the opposite is true. Despite this apology, she has maintained her commitment to activism.
| Event | Date | Detail/Outcome |
|---|---|---|
| Pro-Palestine Rally | November 17, 2023 | Sarandon calls for ceasefire; makes comments on Jewish/Muslim persecution. |
| Agency Dismissal | December 2023 | United Talent Agency (UTA) drops Sarandon as a client. |
| NDAA Approval | July 22 | House approves act; Sarandon cites Section 219 as "combining" U.S. And Israeli armies. |
Competing Perspectives on Erasure
While Sarandon attributes her lack of major studio work to political retaliation, other perspectives suggest different drivers. Some critics argue that at age 80, there are simply fewer roles available for women in her age group. Others claim that her remarks have crossed the line into antisemitism, suggesting that unlike other celebrities who criticize the Israeli government or Benjamin Netanyahu, Sarandon's rhetoric targets broader identities.
This tension is not isolated to Sarandon. The industry remains divided over how to handle political speech regarding the Middle East. For example, Paramount recently accused Mark Ruffalo of using antisemitic tropes
in a post concerning the Paramount-WBD merger and the role of Oracle's technology in the Israel-Hamas conflict.
The friction has extended beyond film into the music industry. Recently, the Israeli-American Council launched a petition to remove singer Macklemore from Ed Sheeran's Loop Tour after Macklemore performed the protest song "Hind's Hall" and shouted Free Palestine
at MetLife Stadium.
International Shift and Current Work
Facing what she describes as a blockade in Hollywood, Sarandon has sought refuge in international productions. In The Echo Chamber, she plays Ava, a storied songstress attempting a comeback album. The film, based on the final screenplay of Bernardo Bertolucci, co-stars Alicia Vikander and Luca Marinelli.
Sarandon's strategy involves bypassing the U.S. "power structure" entirely by utilizing representation in Italy and England. She stated at Venice that while the studio system remains closed, she feels welcome
internationally and has found my people
.
The immediate test of this new trajectory is the commercial release of her latest work. Following its premiere at the Venice Film Festival, The Echo Chamber is scheduled for release in Italy on September 10.
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